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Canterbury Orchestra
Canterbury Orchestra

The Canterbury
Orchestra

Most towns and cities have an amateur symphony orchestra, and it often becomes the focal point of music making in the area. Canterbury is no exception, though with such a wealth of activity in the arts here, sometimes this city’s own orchestra struggles to be heard. Yet the Canterbury Orchestra has survived for half a century fulfilling its founders’ aims of giving talented amateurs the opportunity to prepare and play - to a hopefully appreciative audience - not just the masterpieces of the symphonic repertoire but some lighter music as well. The players are drawn from all walks of life and all age groups: they are united in the sheer enjoyment of making music together.

The orchestra is affiliated to Making Music and supported by the Canterbury Arts Council, members' subscriptions, concert revenue, sponsors, patrons and friends.

Stephen Thomas
Chairman of Canterbury Orchestra

The Canterbury Orchestra

NEXT CONCERT

7:30PM SATURDAY 26th NOVEMBER, COLYER-FERGUSSON HALL, UNIVERSITY OF KENT

TICKETS £15 FULL AND £8 STUDENTS AND CHILDREN AVAILABLE FROM THE GULBENKIAN BOX OFFICE on 01227 769075 or ONLINE

Symphonic Last Words: late works of Haydn & Mozart

with Lees Court Music

Our Winter Concert presents the late music of two of the most innovative and revered composers of the classical era with examples of motets from each composer performed by guest chamber choir, Lees Court Music to offset the mature symphonic writing of Haydn’s London Symphony and the dark and compelling music of Mozart’s 40th Symphony.   

 

 
 

The next pair of pieces were an opportunity for us to hear the beguiling work of Clara Schumann, played wonderfully by the evening’s soloist, Katherine Tinker. In a superb piece of programming, Clara’s Variations on a Theme of Robert Schumann (a work for solo piano) was presented before her Konzertsatz.

Sam Messer

The ‘pastoral’ quality of Butterworth’s On Banks of Green Willow was rendered well, with good control of tone in the strings; and well-judged contrasts in mood as the work unfolded. Mention must be made of the effective woodwind solos.

Dr Michael Chandler