Canterbury Orchestra
Canterbury Orchestra

The Canterbury

Most towns and cities have an amateur symphony orchestra, and it often becomes the focal point of music making in the area. Canterbury is no exception, though with such a wealth of activity in the arts here, sometimes this city’s own orchestra struggles to be heard. Yet the Canterbury Orchestra has survived for half a century fulfilling its founders’ aims of giving talented amateurs the opportunity to prepare and play - to a hopefully appreciative audience - not just the masterpieces of the symphonic repertoire but some lighter music as well. The players are drawn from all walks of life and all age groups: they are united in the sheer enjoyment of making music together.

The orchestra is affiliated to Making Music and supported by the Canterbury Arts Council, members' subscriptions, concert revenue, sponsors, patrons and friends.

Jonathan Spencer
Chairman of Canterbury Orchestra

The Canterbury Orchestra


7.30pm Saturday 6th April 2019, Colyer-Fergusson Hall

A Slavonic Journey


Greig: Wedding Day at Troldhaugen

Tchaikovsky: Violin Concerto (soloist Ana Vandepeer)

Dvorak: Symphony No. 8 


Andrew Lowen; Conductor

Amanda Wyatt; Leader


Canterbury Orchestra is delighted to present three glorious pieces of Romantic music from countries bordering the Baltic Sea, opening with Greig’s joyful celebration of his 25th wedding anniversary, followed by Tchaikovsky’s intense and moving Violin Concerto, for which we welcome back the talented Ana Vandepeer. The concert concludes with Dvorak’s Symphony no.8, a cheerful and optimistic composition reflecting the composer’s love of Bohemian folk music.





The next pair of pieces were an opportunity for us to hear the beguiling work of Clara Schumann, played wonderfully by the evening’s soloist, Katherine Tinker. In a superb piece of programming, Clara’s Variations on a Theme of Robert Schumann (a work for solo piano) was presented before her Konzertsatz.

Sam Messer

The ‘pastoral’ quality of Butterworth’s On Banks of Green Willow was rendered well, with good control of tone in the strings; and well-judged contrasts in mood as the work unfolded. Mention must be made of the effective woodwind solos.

Dr Michael Chandler