Katherine is a pianist, accompanist, chamber musician and animateur. A recent graduate from Christ Church, Oxford she now studies at the Royal College of Music under Niel Immelman. Her early piano studies were with Kent-based concert pianist Ronald Smith which gained her a Music Scholarship at St. Edmund’s School, then as a pupil of Yonty Solomon at the age of 15 when she won Marlowe Young Musician of the year. At this time she was invited to give her first solo public recital in London, and since then she has performed as solo pianist, orchestral pianist and repetiteur in Europe and the USA. Katherine was accepted into the Pro Corda International Chamber Music Academy, where she won the Course Prize, and she worked on Schoenberg's Pierrot Lunaire as a student at Dartington International Summer School in 2010, and Ligeti's Kammerkonzert as a student at the London Sinfonietta Academy 2011. This season, Katherine's engagements have included performances at the Sounds New Contemporary Music Festival, Kings Place, and the Clore Ballroom at the Royal Festival Hall. She was delighted to give the UK premiere of Varese's own arrangement of 'Ameriques' for 8 hands with the Francoise-Green Piano Duo and to perform works by Graham Fitkin at the 2011 BBC Proms Plus series broadcast on Radio 3.
Canterbury Orchestra Spring Concert: Classical Masterworks
7.30pm, Saturday 14th March 2020, Colyer-Fergusson Hall
Tickets £15 and £8
Mozart: Divertimento K.136
Haydn: Notturno no.4
Mozart: Symphony no.31 (The Paris)
Beethoven: Symphony no.7
Andrew Lowen; Conductor
Molly Richetta; Leader
Canterbury Orchestra presents works by the three most influential composers of the Classical Period, beginning with early compositions by Haydn and Mozart which represent mainstream popular music of the day and are both charming and witty. Mozart’s Divertimento in the style of an Italian Sinfonia features the string section of the Orchestra whilst Haydn’s Notturno is arranged for wind instruments. Mozart’s Symphony no.31 was written during a stay in Paris and the instrumentation reflects his access to larger orchestras — it was his first symphony to include clarinets. Beethoven produced his 7th Symphony whilst convalescing in the Bohemian spa town of Teplice & is known for its use of rhythmic figures and tonal subtlety.
Interested in playing with the Canterbury Orchestra?
Call Nicky Pound, Canterbury Orchestra Manager on 01304 812755 or email us to find out whether we have vacancies.