World-famous clarinettist, Tony Coe, joined with The Canterbury Orchestra and Thanet-based Cantate Chamber Choir to present a musical portrait of Canterbury in this year’s Festival. The concert, Canterbury – A Portrait in Music, was held on Saturday 20 October in the Shirley Hall of The King’s School at 3.30pm, featured the work of four modern composers with Kentish connections. A spokesperson for The Canterbury Orchestra said: ‘This concert represents a remarkable innovation for our Orchestra and anyone who thinks that modern music does not have memorable tunes and evocative and atmospheric qualities is in for a wonderful surprise.’
Tony (Anthony George) Coe. British saxophonist (mainly tenor), clarinetist, bass clarinetist, bandleader, composer. Born Canterbury, Kent, November 29, 1934.
The musician of tomorrow will face a continuously growing jazz tradition that since its beginnings has constantly taken up elements from various forms of world music. This situation calls for wide-ranging players, for a combination of the performing and creative artist who is able to enter into the spirit of a great variety of idioms without losing any part of her or his own creativeness. Tony Coe is a distinguished example of such an artist. His playing reflects extreme instrumental skill, exceptional stylistic many-sidedness, and profound musical originality. He is almost unrivalled as far as versatility is concerned. And his career personifies a sizable part of jazz history. With the passing of time he has extended his horizons considerably, adding to the more traditional areas of jazz a variety of modern musical idioms including totally free improvisation as well as classical and contemporary art music.
Canterbury Orchestra Spring Concert: Classical Masterworks
7.30pm, Saturday 14th March 2020, Colyer-Fergusson Hall
Tickets £15 and £8
Mozart: Divertimento K.136
Haydn: Notturno no.4
Mozart: Symphony no.31 (The Paris)
Beethoven: Symphony no.7
Andrew Lowen; Conductor
Molly Richetta; Leader
Canterbury Orchestra presents works by the three most influential composers of the Classical Period, beginning with early compositions by Haydn and Mozart which represent mainstream popular music of the day and are both charming and witty. Mozart’s Divertimento in the style of an Italian Sinfonia features the string section of the Orchestra whilst Haydn’s Notturno is arranged for wind instruments. Mozart’s Symphony no.31 was written during a stay in Paris and the instrumentation reflects his access to larger orchestras — it was his first symphony to include clarinets. Beethoven produced his 7th Symphony whilst convalescing in the Bohemian spa town of Teplice & is known for its use of rhythmic figures and tonal subtlety.
Interested in playing with the Canterbury Orchestra?
If you would like the opportunity to play interesting music in a variety of styles and including some of the major symphonic repertoire, call Canterbury's Orchestra Manager Nicky Pound on 01304 812755 or email us.