Previous Concerts by The Canterbury Orchestra - 2008
Saturday 26th April 2008 at 7:30pm
St. Peter's Methodist Church, Canterbury
Conductor: Andrew Lowen
Leader: Chris Brown
Beethoven's Violin Concerto
Overture Italian Girl in Algiers
Symphony No. 4 (Italian)
The concert featured the outstanding young Slovenian soloist Lana Trotovsek. Lana began playing the violin when she was five and went on to win many top prizes for young musicians in her own country and further afield. She studied at the Academy of Music in her native Ljubljana and has recently been studying as a postgraduate Advance Diploma student at Trinity College, London. She was awarded 'The Friends in New York' prize and was invited to perform the Khachaturian Violin Concerto with the Belgrade SRT Orchestra in 2007.
Review of our concert, Saturday July 5th 2008 (from Kentish Gazette):
"a concert full of delicate playing and gentle nuance"
Splendid trip to the countryside
The Canterbury Orchestra, under their conductor Andrew Lowen, brought the joys of the countryside to the audience in St Peter's Methodist Church, Canterbury on Saturday in a concert full of delicate playing and gentle nuance.
Most of the programme was pastoral music, with the exception of the opening Wasps overture by Vaughan Williams. It was taken at impressive speed and the strings, confidently led by Chris Brown, coped splendidly with the wit and dynamic range required by the score. In their turn, the wind thrilled the audience with some lovely phrasing of these most English of tunes, leading to a climax which brought calls of approval from listeners.
The overture was follwed by two pieces by Delius - On hearing the first cuckoo in spring and Summer night on the river - which both pieces of impressionist tone painting which require tremendous teamwork to manage the relationships between soloists and the complex scoring of the strings. The challenge was more than met with fine undulating solos from flute and oboe over the well phrased if perhaps slightly forced string harmonies. The first half ended with the richly tuneful Banks of Green Willow masterfully shaped by the conductor. It is great credit to this group of players that so much music which relies on emotional rather than dramatic climaxes come across so satisfyingly.
The second half continued the rustic theme with Beethoven's Pastoral Symphony. Here is another piece that allows no room for error. The strings did not disappoint, with assured playing of the gentle intersecting melodies. As the Symphony develops to reveal the antics and feelings of the villagers, bassoon, horn and clarinet all delighted with moments of grace and humour. The evening was brought to a splendid climax as the excellent brass and percussion firmly brought this stimulating performance to a stirring end.
Canterbury Orchestra Spring Concert: Classical Masterworks
7.30pm, Saturday 14th March 2020, Colyer-Fergusson Hall
Tickets £15 and £8
Mozart: Divertimento K.136
Haydn: Notturno no.4
Mozart: Symphony no.31 (The Paris)
Beethoven: Symphony no.7
Andrew Lowen; Conductor
Molly Richetta; Leader
Canterbury Orchestra presents works by the three most influential composers of the Classical Period, beginning with early compositions by Haydn and Mozart which represent mainstream popular music of the day and are both charming and witty. Mozart’s Divertimento in the style of an Italian Sinfonia features the string section of the Orchestra whilst Haydn’s Notturno is arranged for wind instruments. Mozart’s Symphony no.31 was written during a stay in Paris and the instrumentation reflects his access to larger orchestras — it was his first symphony to include clarinets. Beethoven produced his 7th Symphony whilst convalescing in the Bohemian spa town of Teplice & is known for its use of rhythmic figures and tonal subtlety.
Interested in playing with the Canterbury Orchestra?
Call Nicky Pound, Canterbury Orchestra Manager on 01304 812755 or email us to find out whether we have vacancies.