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Canterbury Orchestra

Review of Concert 27 June 2009

A Taste of France  - 'French Feast's Tasty Starter'

The orchestra opened its all-French summer programme with Fauré's Pavane, highly appropriate for this evening, since it was conceived as an item for inclusion in a series of light summer concerts.  In keeping with Belle Epoche mores, it is an elegant, albeit commercial, re-working of a Renaissance dance form, designed for entertainment rather than high art.  In this performance it received a reading that displayed a pleasingly light touch for the most part although, towards the end, more than a hint of an English pastoral tone had crept into the orchestra's playing, a fuller and less pithy timbre that does not sit comfortably with Fauré's music.

Thus an elegant ambience gave way, to my ears at least, to a more bucolic and dramatic soundscape.  More dramatic still is Berlioz's song-cycle Les Nuits d'Été, on this evening featuring the soprano Penelope Martin Smith.  The text is unmistakably Romantic, potent imagery, heavy with symbolic and often dark meaning, aimed at exposing the essence of personal experiences.  Martin Smith has a powerful rounded tone, a flexibility of enunciation, a range of vocal colour and control of dynamics that, combined with her crystal clear diction, resulted in a deeply emotive and expressive performance, particularly in her ability to melt into and re-emerge from the orchestral texture. For its part, the orchestra worked well with its singer to extract the maximum from the text. The orchestra opened the post-interval proceedings with more from Faure, this time his Sicilienne from the Pelleas et Melisande Suite.

We were presented with another light and unmistakably French piece, as a prelude to the main item of the second half, Bizet's Symphony in C major. This is the exuberat creation of a 17-year­old. Accordingly, it becomes the duty of any interpreter to consider its composer's age and experience and to infuse a performance with a youthful musical joie de vivre.  This point had been taken on board by the orchestra as it worked through the score with brio and a strong performance.

Mark Mortimer  (Kentish Gazette).

Canterbury Orchestra Spring Concert: Baltic Extravaganza

7.30pm Saturday 6th April 2019, Colyer-Fergusson Hall

Greig: Wedding Day at Troldhaugen

Tchaikovsky: Violin Concerto (soloist Ana Vandepeer)

Sibelius: Symphony No. 1

Andrew Lowen; Conductor

Amanda Wyatt; Leader

Canterbury Orchestra is delighted to present three glorious pieces of Romantic music from countries bordering the Baltic Sea, opening with Greig’s joyful celebration of his 25th wedding anniversary, followed by Tchaikovsky’s intense and moving Violin Concerto, for which we welcome back the talented Ana Vandepeer. The concert concludes with Sibelius’ Symphony no.1, a mature and virile composition reflecting the composer’s admiration of Tchaikovsky & Bruckner.



Tickets £15 & £8 from the Gulbenkian Box Office, 01227 769075, boxoffice@kent.ac.uk 

More Information

Canterbury Arts CouncilDetails of forthcoming concerts are also listed in the Events Diary of the Canterbury Arts Council website and on the Orchestra's Facebook page.