Review of Spring Concert 2012
Canterbury Orchestra Spring Concert
March 31st 2012
St Peter's Methodist Church
It was an unusual and enterprising programme by the Canterbury Orchestra at St Peter's Methodist Church on 31st March. We may have heard a lot of Schubert on the radio recently, but not his Quartettsatz (D 703) arranged for string orchestra. The judicious use of the double bass section gave point to some passages, and the orchestra clearly enjoyed this typically Schubertian piece.
The highlight of the evening was Richard Strauss's Oboe Concerto, an ambitious undertaking but well worth tackling, particularly with the outstanding soloist Rosie Lowen who showed an impressive mastery of the formidably testing oboe line. The string parts are not easy and ideally the first movement needed more weight, though the strings blossomed in the Andante, which is one of those great works saying farewell to the Romantic style.
The interval was followed by Strauss's early masterpiece, the Serenade for 13 wind (Op.7). Here we had an extrememly competent ensemble, presumably with not much rehearsal possible, the beautiful horn part excellently played.
Finally we heard Schubert's Symphony No.6 (D 589), the product of exuberant youth influenced by the then current masters Beethoven and Rossini. The orchestra responded accordingly with lively wind and reliable horns and strings particularly dashing in the Scherzo.
Under their conductor Andrew Lowen the Orchestra prospers and there were few empty seats in the audience. We look forward to the 30th of June with its interesting programme of Jubilee related works, including the 'Coronation" Piano Concerto of Mozart.
Canterbury Orchestra Spring Concert: Classical Masterworks
7.30pm, Saturday 14th March 2020, Colyer-Fergusson Hall
Tickets £15 and £8
Mozart: Divertimento K.136
Haydn: Notturno no.4
Mozart: Symphony no.31 (The Paris)
Beethoven: Symphony no.7
Andrew Lowen; Conductor
Molly Richetta; Leader
Canterbury Orchestra presents works by the three most influential composers of the Classical Period, beginning with early compositions by Haydn and Mozart which represent mainstream popular music of the day and are both charming and witty. Mozart’s Divertimento in the style of an Italian Sinfonia features the string section of the Orchestra whilst Haydn’s Notturno is arranged for wind instruments. Mozart’s Symphony no.31 was written during a stay in Paris and the instrumentation reflects his access to larger orchestras — it was his first symphony to include clarinets. Beethoven produced his 7th Symphony whilst convalescing in the Bohemian spa town of Teplice & is known for its use of rhythmic figures and tonal subtlety.
Interested in playing with the Canterbury Orchestra?
Call Nicky Pound, Canterbury Orchestra Manager on 01304 812755 or email us to find out whether we have vacancies.