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Canterbury Orchestra

Review of Spring Concert 2010

SPRING CONCERT 2010

Saturday March 27th, 7.30pm

St Peter's Methodist Church

Conductor: Andrew Lowen

Soloist: Robin Wilson (violin)

This concert by the Canterbury Orchestra opened with Mozart’s overture to his opera Così fan tutte.  Though perhaps not as fleet of foot in the frenetic main section as one might have wished, the whimsical spirit of the opera was reflected well with some nice touches by the woodwind and sensitive playing from the brass and timpani.

The highlight of the evening was undoubtedly the performance of the Bruch Violin Concerto No.1.  The soloist, Robin Wilson, captured the audience from the very beginning with his sensitive playing of the opening cadenza-like passage.  The ensuing first movement was played with a judicious blend of full-blooded passion and sweet lyricism by the solo violin, with deft accompanying by the orchestra, creating a fine ensemble balance.  The emotional kernel of the work, the slow adagio movement, was shaped well by both soloist and orchestra, with impressive orchestral climaxes.  The final movement could have been a little more light-footed, but overall it succeeded in communicating the essence of the gypsy folk-dance. The soloist displayed throughout this performance a sure command of the technical and emotional demands of the work.  Both soloist and orchestra fully deserved the enthusiastic applause of the audience.

Brahms’s Serenade No.1 presents a more relaxed ambience than one might expect from this composer. The conductor, Andrew Lowen, projected well the mixture of youthful exuberance combined with more than a hint of symphonic rigour in the opening movement.  The darker Nordic tones of the second (scherzo) and third (slow) movements were managed well by the orchestra, in particular by the horns and clarinets.  The attention of the listener was somewhat lost during the elegiac third movement (perhaps the fault of the relatively inexperienced Brahms rather than of the orchestra), but was fully regained in the penultimate and final movements, characterised by spirited rhythmic playing, especially by the strings, bringing the concert to an exciting conclusion.

 

Dr Michael Chandler

 

Next Concert

Russian Fairytales

Sat 6th May, Colyer-Fergusson Hall, 7.30pm

with Whitstable Dance

Tickets at £15 and £8 available from the Gulbenkian Box Office

Our Spring Concert introduces a collaboration with Whitstable Dance which will allow local young people to share the pleasure of performance with the Orchestra in a presentation of music and dance from Tchaikovsky’s famous ballet, The Nutcracker. The programme will focus on Act ii of the ballet in which the heroine, Clara, travels with the Prince (an erstwhile nutcracker) to the Land of Sweets where they are entertained. The Nutcracker is one of the Tchaikovsky's most popular compositions. The music contains some of his most memorable melodies including the Trepak and the famous Waltz of the Flowers and March, as well as the ubiquitous Dance of the Sugar Plum Fairy. The ballet contains surprisingly advanced harmonies and a wealth of melodic invention. The atmosphere of magic and mystery is sustained by a performance of Rimsky-Korsakov’s orchestral suite Scheherazade, inspired by the tale of The Arabian Nights in which the Sultan’s wife deflects her imminent execution through skilful storytelling and eventually wins her reprieve. Like The Nutcracker, the music is adventurous and delightfully orchestrated.

 

 

Interested in playing with the Canterbury Orchestra?

Call Nicky Pound, Canterbury Orchestra Manager on 01304 812755 or email us to find out whether we have vacancies.